Hao jiang tian biography examples
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Along the Roaring River: My Wild Ride from Mao to the Met by Hao Jiang Tian with Lois B. Morris and a forward by Robert Lipsyte. Wiley, pp. $
We in Colorado were the first to hear Hao Jiang Tian when the Chinese bass arrived at the University of Denver’s Lamont School of Music in , and that makes his account of the career that took him from Mao to the Met — and beyond — of special local interest.
During his first American decade, Tian sang a variety of supporting roles with Opera Colorado. And many also saw him in a Aspen Wild-West staging of Verdi’s “Falstaff” that — prophetically — featured an almost all-Asian cast.
He made his Met debut opposite Luciano Pavarotti in Verdi’s “Lombardi” in
Tian was born in Beijing in , and that made him almost 30 when he began undergraduate work at DU. But this late beginning only doubled the pace at which he became a familiar figure in the world’s greatest opera houses.
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How Pavarotti helped this Chinese musikdrama singer find his groove
Hao Jiang Tian saw his first musikdrama in It was the day he arrived from China with four words of English (hello, OK, bye, yes) and $35 in his pocket. An aspiring singer, he spent $8 of it on a standing-room ticket at the Met, where Luciano Pavarotti was performing.
“It knocked me out!” Tian says.
Now, 36 years and 20 Met seasons of his own later, the Beijing-born bass fryst vatten headlining a Chinese production, “Voyage to the East.” Sung in Mandarin, with English subtitles, by a cast of , it’s a contemporary opera about a Buddhist monk who lived 1, years ago.
“I only knew his name,” Tian, 64, says of Jianzhen, the Tang Dynasty holy man who brought Buddhism to Japan. Fraught with shipwrecks and other tragedies, the voyage took 12 years. By the time the monk arrived in Japan, he was over 60 and blind.
“It’s an incredible story,” says Tian. Then again, the singer&#;s story is pretty incredible, too. The child of a composer an