Raynald of chatillon biography of rory
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THE TREATMENT OF MALE AND FEMALE PRISONERS OF WAR DURING THE THIRD CRUSADE
THE TREATMENT OF MALE AND FEMALE PRISONERS OF WAR DURING THE THIRD CRUSADE Whether or not Imad al-Din was exaggerating when he claimed that in , the year of Hattin and the conquest of Jerusalem, Saladin freed 20, prisoners and captured ,, there is no doubt that the fate of prisoners of war played a considerable role in the diplomacy and political manoeuvring of the period. Imad al-Din al-Isfahani, Kitab al-Fath, trans. H. Massé, Conquête de la Syrie et de la Palestine par Saladin (Paris, ), There can be very little doubt that he was exaggerating - given the tendency of all chroniclers, Christian as well as Muslim, to inflate large numbers. According to Ibn al-Athir, widely acknowledged as the best Muslim historian of the time, Saladin’s decision to release some of Count Raymond of Tripoli’s knights had materially helped to precipitate the whole dramatic sequence of events. He held several of the Count’s knig
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The Siege of Acre, Saladin, Richard the Lionheart, and the Battle That Decided the Third Crusade ,
Table of contents :
Cover page
Halftitle page
Title page
Copyright page
Dedication page
CONTENTS
PLATES AND MAPS
ACKNOWLEDGMENTS
ABBREVIATIONS
MAP
PLATES
INTRODUCTION
I TARGET ACRE
Conrad and Guy
Preparing for the Crusade
The march to Acre
II THE SIEGE BEGINS
The blockade
Probing the lines
The October battle
Ditches and ramparts
Winter arrives
III SPRING AND SUMMER
A crescent by the cross
The three towers
The German crusade
The St James offensive
IV AUTUMN AND WINTER
The Tower of Flies
Losing the initiative
The St Martin offensive
A desperate winter
V THE SIEGE CONCLUDES
Philip Augustus
Richard the Lionheart
The summer barrage
The beginning of the end
VI AFTERMATH AND REPERCUSSIONS
Acre falls
Saladin dithers
A war crime?
To Arsur and beyond
CONCLUSION
Command and control
Leaving Acre
APPENDICES
NOTES
BIBLIOGRAPHY
INDEX
Citation preview
JOHN D.
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Sharon: I’m
delighted to welcome back award-winning author Jeri Westerson to talk about her
upcoming medieval mystery BLOOD LANCE. For those of you unfamiliar with her
work, Jeri takes a different approach to her medieval novels. She employs the
tropes of the hard-boiled detective fiction of a Dashiell Hammett or Raymond
Chandler and re-imagines it in the fourteenth century. What was the idea behind
this for your “medieval noir” series and how exactly does it work?
Jeri: The need to
do something different, I suppose. What was going to make my series stand out above the outstanding series that were already
out there? And when I was developing these novels, I happened to have been
reading a lot of Raymond Chandler and Dashiell Hammett. It just got me to
thinking about why couldn’t I incorporate some of the same tropes that you
might see in a hard-boiled mystery: the hard-drinking, tough-talking detective
with a chip on his shoulder, the dames in trou