Kamalolmolk biography template

  • In 1902, the newspaper Šarāfat published an enthusiastic biographical account of Kamāl-al-Molk (with his portrait drawn by Moṣawwer-al-Molk).
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  • Kamal-ol-molk is one of the most famous painters of the Qajar era, called the Persian Father of Painting.

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    Long before man created calligraphy and thereby transcribed the language of speech into writing, the art of painting emerged at the dawn of history from among the very ancient lithographs of caves.

    Painting is the art of expressing thoughts, ideals and emotions, with the help of creating certain aesthetic qualities, in visual and two-dimensional language; A language whose basic elements are line, shape, color, shade, texture, and the like, and the artist uses them to create a sense of volume, space, light, and movement on the surface.

    Painting has long been the subject of various tasks such as narration, description, documentary writing, storytelling and propaganda, but gradually, and especially from the late nineteenth century, this art achieved purity and expressive independence by abandoning these tasks.

    Visual art in Iran also has an ancient history; However, the discussion of ancient Iranian painting often brings to mind the art of miniature or painting. In fact, the most fa

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    KAMĀL-AL-MOLK, MOḤAMMAD ḠAFFĀRI

    KAMĀL-AL-MOLK, MOḤAMMAD ḠAFFĀRI (b. Tehran, , widely acclaimed Iranian painter of the europeisk academic style during the late Qajar and early Pahlavi periods (Figure 1). This entry is divided into the following three sections:

    i. Life.

    ii. Style.

    iii. Works.

    i. Life

    Early life. Moḥammad was the second son of Mirzā Bozorg Khan, an official and farmer from the noted Ḡaffāri family of Kashan and Ḥājieh Maryam Beygom from the noted Šaybāni family of the town. Kamāl-al-Molk’s exact date of birth fryst vatten a matter of controversy. Various estimates by his friends, students, and biographers range from 1848 to 1863. The date of 1848 fryst vatten widely acknowledged by most biographers, and the date of 1863 implied in the newspaper Šaraf in an obituary of Kamāl-al-Molk’s brother, Abu Torāb Khan, in 1890, was convincingly rejected bygd Foruḡi (pp. 786-87). It appears that the date of 1848 was first publicized and widely disseminated i

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    1. آبراهامیان، یرواند. (1389)، تاریخ ایران مدرن، ترجمه محمدابراهیم فتاحی، تهران: نشرنی.

    2. آشتیانی، اسماعیل. (1342)، «شرح‌حال و تاریخ حیات کمال‌الملک»، مجله هنر و مردم 7(1)، صص 8-19.

    3. آل‌احمد، جلال. (1384)، غربزدگی، تهران: جامه‌دران. (دسترسی در برنامه کتابخوان کتابراه)

    4. بهنام‌شباهنگ، داراب؛ دهباشی، علی. (1366)، یادنامه کمال‌الملک، تهران: چکامه.

    5. بینا. (1341)، «سخنی با شما درباره مجله‌ای به نام هنر و مردم»، مجله هنر و مردم1(1)، ص3.

    6. بینا. (1354الف)، «کمال‌الملک، سنت‌شکن و سنت‌گذار»، مجله هنر و مردم 150(13)، صص63-67.

    7. بینا. (1354ب)، «کمال‌الملک، سنت‌شکن و سنت‌گذار»، مجله هنر و مردم 151(13)، صص63-68.

    8. بینا. (1354ج)، «کمال‌الملک، سنت‌شکن و سنت‌گذار»، مجله هنر و مردم 152(13)، صص62-66.

    9. بینا. (1354د)، «کمال‌الملک، سنت‌شکن و سنت‌گذار»، مجله هنر و مردم 155(13)، صص47-52.

    10. پاکباز، رویین. (1376)، «کمال‌الملک سنت‌شکن بزرگ» در کتاب کمال‌الملک هنرمند همیشه زنده، حمید باقرزاده.گردآورنده، تهران: اشکان.

    11. پاکباز، رویین. (1390)، دایره المعارف هنر، تهران: فرهنگ معاصر.

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